Public art project presented by ARTSPACE

May 29 – June21 2009
in downtown Peterborough locations (look for it in Hunter/Aylmer area)

Opening reception and Artist Talk: Friday, May 29th 7 PM at ARTSPACE

The site-specific installation Shelter Spheres consists of a cluster of nine interactive, floating spheres, a temporary utopian living environment in an urban area, both public and private, in Peterborough.

Appearing as dreamy, temporary and volatile spaces, each sphere is made of plastic wrap, transparent duct tape, steel and wood and the larger ones (up to two meters in diameter) close to the ground invite the public to interact and access its interiors. Smaller spheres are placed up high in the trees, impossible to reach or inhabit and floating in space as plastic bubbles.

The installation Shelter Spheres recalls associations with an utopian environment or particularly when inhabited, a scientific experiment and has an immediate, poetic and surreal presence.


Ernest Daetwyler studied at the Schule fuer Gestaltung, Bern, the Centro Europeo in Venice, Italy and received his master diploma from the Schule fuer Gestaltung, St. Gallen, Switzerland. His interdisciplinary projects are presented in Canada, Europe and internationally. He is the recipient of numerous awards, including the Canada Council for the Arts, the Ontario Arts Council, the Swiss Federal Office of Culture, Presence Suisse, the Region of Waterloo Arts Fund, the City of Kitchener, the City of Stratford and the Pollock-Krasner Foundation, New York, N.Y. 

Ernest is a director/founding member of CAFKA, the Contemporary Art Forum Kitchener and Area, an international artist-run biennial of contemporary art projects and interventions in the pubic realm throughout the Region of Waterloo (www.cafka.org).



This project is being presented by ARTSPACE in conjunction with Ontario Heritage Conference 2009, Peterborough ON.

Rez-Erection:  Belle Sauvage, Buffalo Boy and Miss Chief Eagle Testickle set up Camp

June 18 - July 4 2009

Performance:  Thursday, June 18th 8 PM

Artspace and OKW partner to bring Peterborough Indigenous performance art

Belle Sauvage and Buffalo Boy invite you to watch their WILD west show where you can engage in playing dress up and join the show. Get your photos taken with real live 'Indians.' A queer rodeo you have never seen before where buckskin meets fishnets and buffalo g-strings and where rodeo's biggest name is a Cree/Saulteux women. The cowboy here revers the Buffalo and is a gender bending, sexually progressive two-spirit. The cowgirl here is the pistol wielding “Indian' women with the meanest roping skills. The time is now as a campy reincarnated turn of the century wild west show, world fair, early peep show where Indigenous Peoples performed western imaginaries of colonial conquest, manifest destiny and supposed savagery.

Artists Lori Blondeau and Adrian Stimson trot out their alter egos Belle Sauvage and Buffalo Boy mining and miming a long history of performing and playing Indian by Indigenous Peoples and Settlers alike. Remember to read the fine print. You must sign?? over all your rights to the photos taken and sign with an X. A re-enactment of treaty signing days when greedy unscrupulous treaty commissioners would make Indigenous Peoples of the Plains sign their names to treaties that they later refused to honour and which they interpreted as a signing over of all Indigenous rights to life, land and culture.

Kent Monkman's alterego Miss Chief Eagle Testickle's adventures and histories are captured in a trilogy of films expanding the critique of colonialism to all things canonical like Edward S. Curtis, Western films and George Catlin. In Group of Seven Inches, Monkman inverts the colonial gaze by presenting Miss Chief as the one with the brush, painting her understanding of the white man as she explores two hot hapless white men. Shooting Geronimo finds Miss Chief changing history one highheeled kick at a time as she records the history of two young 'braves' taking power back from the little white man behind the camera who desires more than their picture. Robin's Hood brings that wandering artist, Miss Chief Eagle Testickle into Sherwood Forest for her ultimate trist.

The strategies of mimicry, parody and masquerade allow for a humourous but unsettling window into the relationship of sex and conquest, desire and colonial representation. In wilding the West, all three artists transform the 3 C's of Capitalism, Christianity and Colonialism into Camp, Chance and Celebration.

Join them at Artspace on June 18th for modern myth-making mayhem.

Lori Blondeau is a Cree/Saulteaux/Métis artist and curator based in Saskatoon. She is a co-founder and the current director of TRIBE, one of Canada’s most innovative and exciting Aboriginal arts organizations. Blondeau’s performance, photo, and media-based works have been presented nationally and internationally. She is currently completing a PhD in Interdisciplinary Studies at the University of Saskatchewan.

Adrian A. Stimson is a member of the Siksika (Blackfoot) Nation in southern Alberta and a Saskatoon-based interdisciplinary artist. He has exhibited and performed nationally, and is a sessional instructor at the University of Saskatchewan. His research has included identity, metaphysics, two spirit people, ecology, spirit and healing modalities within artists practice. Adrian was awarded the Queen Elizabeth II Golden Jubilee Medal in 2003 and the Alberta Centennial Medal in 2005 for his human rights and diversity activism in various communities.

Supported by Canada Council for the Arts, Performance programming.

April 25 - June 6 2009

Opening and Artist Talk: Saturday, April 25, 7 PM

Cause and Effect is an exhibition featuring new works by Montreal based artist Christopher Flower. In his most recent work, Flower takes a multidisciplinary approach to the question, what would happen if...? Incorporating analog and digital technologies, high-speed photography, process painting, sculpture, and video, Cause and Effect is a physical exploration and document of chance occurrence and unexpected narrative.

Montreal based artist Christopher Flower combines DIY/hack invention with new and traditional media in his art practice. His work often investigates the physical and psychological relationship between humans and objects. Playful gestures such as interactive spinning cameras, intestinal paintings, and the anthropomorphosis of everyday objects reinforce the idea that people like to experience things they can identify with through touch and/or emotion. Recent exhibitions include: Modern Fuel Artist run center (Kingston, ON) Gallery 101 (Ottawa, ON), and Video Pool Media arts Center (Winnipeg, MB). Flower gratefully thanks the Canada Council for the Arts for their generous support.